Charlotte Yonge is one of the most influential and important of Victorian women writers; but study of her work has been handicapped by a tendency to patronise both her and her writing, by the vast number of her publications and by a shortage of information about her professional career. Scholars have had to depend mainly on the work of her first biographer, a loyal disciple, a situation which has long been felt to be unsatisfactory. We hope that this edition of her correspondence will provide for the first time a substantial foundation of facts for the study of her fiction, her historical and educational writing and her journalism, and help to illuminate her biography and also her significance in the cultural and religious history of the Victorian age.


Featured Letters...

Elderfield, Otterbourne, Winchester.
Novr 21st 1864
Dear Mr Macmillan This is an excellent title page, much better arranged than what I had thought of. I suppose I need not return it. I am going to send you a formidable list of presentation copies, which must be set down to my account as I have rather a large stock of young friends for whom I think this will be a better gift than a story book would. Thanks for the Sunday Book, I see ... continue reading
Elderfield
March 2 [1900]

My dear C C The world seems wild with joy and flags from every window house! Maurice says traffic was stopped in London by people waving flags and shaking hands. I suppose there will be a culminating in a great illumination when it is over. Well, I shall be very glad of you on the 15th I shall like to have the benefit of the lectures, but I am afraid [[cmybook:250]my young ... continue reading

The Edge, Tooting Common.
Janry 26—1891

Dear Miss Yonge, I hope you will be able to get ‘At the Fair’ into the May no. July is such a long time off.

Very truly yours Katharine S. MacQuoid

... continue reading
Elderfield, Otterbourne, Winchester.
Aug 2nd 1865

Dear Mr Macmillan, Thanks for the cheque. I enclose the receipt.

I do not know whether the British Museum has a copy of Theurdanck - probably it would I think, but if you should be in Oxford, there is a beauty at the Bodleian, a much better one than that which I have here, which is only lent to me.

You should also look at the wonderful wood cuts in ‘Der Weise König.’ There is a demon sitting ... continue reading