Aboriginal Representations of Massacres
The focus of this site is on mapping massacres with supporting historical evidence and making this publicly available. Aboriginal people discuss and represent massacres in a variety of ways. We cannot include a comprehensive list of all such representations and discussion here, but here are just a few:
- Sweet Country Warwick Thornton's vivid and compelling film depicts many characteristics of massacres in Australia.
- Pukumani Poles from the Tiwi Islands at the Australian Museum, Sydney
- Julie Gough (Trawlwoolway people) has many works relating to massacres such as those at the Defying Empire exhibition.
- Judy Watson (Waanyi people): The Names of Places, exhibited at the Defying Empire exhibition. Also, A Picnic With The Natives - The Gulf at Art Gallery NSW, Sydney.
- This Whispering in Our Hearts: the Mowla Bluff Massacre, (2001) Mitch Torres (Dir)
- Coniston, (2012) David Batty, Francis Jupurrula Kelly (Dir)
- Lovett-Gardiner, Iris (Gunditjmara Elder) Lady of the Lake Culture Victoria
There are also many colonial and later depictions of massacres which are beyond the scope of this site to collect.
This site does not include other factors affecting aboriginal populations as a result of colonisation, such as disease, loss of land, and changes to community and culture.
Aboriginal Mapping Technology
Mapping is a technology that has long been an integral part of Aboriginal civilisation and is richly expressed in Aboriginal arts. These maps often aren't limited to geographical features but fuse together layers of meaning. Reading such maps works on many, sometimes inseparable, levels including law, religion, music, history, psychology, social organisation, literature and economics. Maps are not only recorded visually in art and writing, but also in oral literature, song and dance. Maps may be written in sand or read from the night sky. Here are just a few examples of Aboriginal and Torres Strait Islander mapping in different forms:
- Aboriginal and Torres Strait Islander Art, National Gallery
- Indigenous Australian Art, Queensland Art Gallery, Gallery Of Modern Art
- Indigenous Art, National Gallery Victoria
- Aboriginal and Torres Strait Islander Art, Art Gallery of NSW
- Dixon, RMW & Duwell, Martin (eds) The Honey-Ant Men’s Love Song and other Aboriginal Song Poems University of Queensland Press, St Lucia, 1994
- Peggy Rockman Napaljarri, Lee Cataldi (trans) Warlpiri Dreamings and Histories: Newly Recorded Stories from the Aboriginal Elders of Central Australia Yale University Press, 2011
- We Don't Need A Map, (2017) Warwick Thornton (Writer, Director, Camera) and Brendan Fletcher (Producer and Screenplay)
- Songlines On Screen, NITV and Screen Australia, 2016 available at SBS on Demand
- R. Fuller, M. Trudgett, R. Norris and M. Anderson "The Euahlayi People and their Use of the Night Sky" in Journal of Astronomical History and Heritage, 17(2), 149 – 160 (2014).